Material as Machine

Responsive architecture using the material’s inherent behaviour executed through computational morphogenesis. The dimensional instability of wood in relation to moisture content is employed rather than destroyed by drying out (in the construction process 70% of embodied energy goes towards making wood lose its remarkable ability to maintain moisture content with the surrounding humidity) to construct a climate responsive architectural morphology. Suspended within a humidity controlled glass case the model opens and closes in response to climate changes with no need for any technical equipment or energy. Mere fluctuations in relative humidity trigger the silent changes of material-innate movement. The material structure itself is the machine.

Achim Menges / ICD / TKE

The project explores the architectural transfer of biological principles of the sea urchin’s plate skeleton morphology by means of novel computer-based design and simulation methods, along with computer-controlled manufacturing methods for its building implementation. A particular innovation consists in the possibility of effectively extending the recognized bionic principles and related performance to a range of different geometries through computational processes, which is demonstrated by the fact that the complex morphology of the pavilion could be built exclusively with extremely thin sheets of plywood (6.5 mm), a total material area of 2m2 to cover an area of 200m2 (efficiency ratio 1:100)… that’s nature for you

Possible interrelation between biomimetic design strategies and novel processes of robotic production: this research focused on the material and morphological principles of arthropods’ exoskeletons as a source of exploration for a new composite construction paradigm in architecture.The exoskeleton of the lobster (Homarus americanus) was analysed in greater detail for its local material differentiation, which finally served as the biological role model of the project.

The lobster’s exoskeleton (the cuticle) consists of a soft part, the endocuticle, and a relatively hard layer, the exocuticle. The cuticle is a secretion product in which chitin fibrils are embedded in a protein matrix. The specific differentiation of the position and orientation of the fibres and related material properties respond to specific local requirements. The chitin fibres are incorporated in the matrix by forming individual unidirectional layers. In the areas where a non-directional load transfer is required, such individual layers are laminated together in a spiral (helicoidal) arrangement. The resulting isotropic fibre structure allows a uniform load distribution in every direction. On the other hand, areas which are subject to directional stress distributions exhibit a unidirectional layer structure, displaying an anisotropic fibre assembly which is optimized for a directed load transfer. Due to this local material differentiation, the shell creates a highly adapted and efficient structure. The abstracted morphological principles of locally adapted fibre orientation constitute the basis for the computational form generation, material design and manufacturing process of the pavilion.

The integration of the form generation methods, the computational simulations and robotic manufacturing, specifically allowed the development of a high performance structure: the pavilion requires only a shell thickness of 4mm of composite laminate while spanning 8m.

 

Further reading: http://www.faculty.biol.ttu.edu/strauss/Morphometrics/Readings/RaupMichelson1965.pdf

http://www.achimmenges.net/?p=5083

http://emtech.aaschool.ac.uk/about/

A Hedge Can Make You Cry

Katsura Imperial Villa 17th C.

Maybe it was the trauma of WWII, or being homesick that did it- or maybe just the pure genius of Japan. But when architect Bruno Taut saw the hedging system of the Imperial Villa in Katsura, he sat down beside it and wept.

The Japanese really are remarkable when it comes to blurring the boundaries of the natural and the manmade. Instead of boxing everything off in components that contrast and fight along side eachother for attention, the harmony of systems in the East is remarkable.

These hedges at first glance look like sculpted bamboo, only bamboo grows so tall and straight. What’s actually been done is instead of wasting time and energy on cutting the bamboo down to size to fit in proper tight little areas, the Imperial gardens constructed fences that would allow the bamboo to bend over them and form a beautiful covering; designating boundaries whilst at the same time not needing to be cut down. Letting nature do its thing. Leveraging strength. Being grateful for what is.

Inspired by Kengo Kuma’s nature + manmade composit structures

http://vimeo.com/channels/399427/53164866

Steel + stone

Chokkura Plaza

Thatch + retractable louvre windows

Marche Yusahara Hotel

tension of membrane + compression of steel

Umbrella House

 ”Those who tread the earth gently-” Quran | Al Furqan | sign 63

Aristotle House

Aristotle House

All images & concept produced by Arub Saqib

Mondays at Aristotle House: Foodshare rents the space for distributing to the homeless community

a2


ia2monday

- Copyright Arub Saqib

‘Aristotle darling, I want to tell you something. You must promise me you will always remember it. The only thing that really matters, are the walls we build around ourselves-’

- Aristotle’s mother

Aristotle House is a home designed for occupation by a small nuclear family, typically single mother and child. In particular, the sort of child one could potentially raise here may grow up to be Aristotle himself- as this is the environment these living conditions aspire to offer.

Designed on a modular approach, the house can be opened up to a multitude of uses whilst retaining safety and privacy for even the most vulnerable occupants, that is, single mothers and young children. Aristotle’s mother can therefore take advantage of this set up by leasing out her sizable and uniquely built living room as an open space for various communal gatherings. This ensures a steady flow of a variety of people engaging with herself and her son on a regular basis, whilst bringing in enough money to run the household itself. This leaves Aristotle’s mother  free to fulfill her primary duties of care to her family. The modular rooms that form the House are uniquely placed to ensure ample daylight  and security from fear of intrusion- they also afford a high degree of privacy as they are elevated off the ground. The entire ground floor of the property is thus free for use as arable land, which allows for cultivation of edibles as well as ample space for the young Aristotle and his friends to play and learn in. Entry points such as doors and windows have carefully been resized or placed at a height, or even behind ponds, to ensure an entry that renders the guest off-guard. As their home is open to numerous guests, threshold points have been designed with due diligence and consideration.

This house is an ideal solution that acts as a microcosm for an entire community. It is a home not just for two very unique and special individuals, but also the dozens of different people from all sorts of life that they share their blessings with on a regular basis, making sure they are at the heart of their surroundings. By introducing a different world to her son every day of the week, Aristotle’s mother has ensured her child grows and engages fully in the cultures and multiple rituals that are a part of his surroundings, as apposed to shutting themselves off in a world of their own and inventing new and private rituals irrelevant to a shared humanity. In years to come Aristotle will benefit from these qualities, engaging confidently with people of all backgrounds, with prior knowledge of their lifestyles, beyond simply reading about them or watching them from a distance. This is how he will engage in dialogue with Averroes in years to come. Together they will start again at a School for Athens-

File:Sanzio 01.jpg


draw for fun

axo site

axo II

sustainability

WIP axo drawings: I’m being told just to keep these drawings diagramatic; as much as I love renders I think diagrams can work beautifully too- there’s so many ways of playing with lines… read manga >> learn all about line weights2

too much fun at work nowadays…

And once I level up they’ll look like this! 

though less emo / painfully macho-70s *promise-to-self*